I enjoyed the first postcard so much that I made a second one. This poem has been deemed finalized in the early stages of the editing project (now on phase two). And in making this second one I evoked the use of typography to distinguish the different voices in this poem as a conversation.
There are two clear voices in this poem. The question and answer format comes through only via the second voice, a believer of sorts who explains the situation in a unique light. The changing fonts are not a mere exaggeration of the high points of the poem but also a demonstration of a second conversation, happening outside the page. The voice repeats implied questions as a simple serif font while the cadences of exaggeration can be seen in the typewriter, script and brush fonts. Now whether the speaker is speaking to his or herself, a book, a listener, a group or an apparition is not to be revealed. but in allowing the type and spacing to play into the poem a new perspective can come to the forefront.
OR maybe I’m reading into it. You be the judge. Emjoy and Keep Writing (or Designing, whichever you muse decides!)